Posted In:Cinema 4D | Greyscalegorilla

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What Version of Cinema 4D Should I Buy or Subscribe to?

August 8, 2019 - By 
What Version of Cinema 4D Should I Buy or Subscribe to? - Guide Featured

With several options to choose from, which version of Cinema 4D is right for you? Follow along with this guide to choose the right version or subscription.

In an attempt to simplify the entire purchasing process, Maxon has eliminated the various versions of Cinema 4D (Studio, Prime, Broadcast, etc) and has announced that going forward there will be only one version of C4D.

While choosing the right version of Cinema 4D has now become a lot easier, choosing the right subscription bundle has users scratching their heads.

So let’s dive into the new options to pick which is right for you.

Cinema 4D Purchasing Options

Cinema 4D is available as either a one-time purchase with the perpetual license or as an ongoing subscription. Read More


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What to Know About Maxon’s New Cinema 4D + Redshift Subscription

August 5, 2019 - By 
What to Know About Maxon's New Cinema 4D + Redshift Subscription

Cinema 4D goes subscription with a Redshift bundle option. Learn about the newest features of C4D R21, like a new Caps and Bevel system, Field Force dynamics, and more.

Image from MAXON Computer GmbH / Andres Hildebrandt.

During the Siggraph 2019 show in Los Angeles, Maxon announced the new Cinema 4D R21 with new features, like Field Forces, a Caps and Bevel system, new Mixamo Control Rig, rendering improvements and interface speed enhancements.

The biggest news was that R21 would introduce a single version of Cinema 4D that is available with either a perpetual license, or a new subscription. On top of that, users can now bundle a C4D and Redshift license. Let’s take a look at all the C4D news. Read More


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Beeple Reveals Everyday Secrets and Shows His Daily C4D Process

July 9, 2019 - By 
Beeple Reveals Everyday Secrets and Shows His Daily C4D Process - Featured

Mike Winkelmann, AKA Beeple, shares insight to his daily creative process and offers tips and tricks for 3D artists of all levels.

For the uninitiated, Beeple is a 3D artist and motion designer who has reached legendary status for his daily creations. He helped grow the “everyday” movement which inspires artists to create new pieces of work everyday so they can continue to grow their skills. To date, Beeple has created over 4400 daily renders.

His work has been featured in places like the Louis Vuitton runway and was recently admired on the Joe Rogan Experience podcast.

Read More


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Creating Hyperrealistic Props and Assets in Cinema 4D with Aaron Covrett

June 24, 2019 - By 
Creating Hyperrealistic Props and Assets in Cinema 4D with Aaron Covrett - Featured

Learn how to create realistic objects with high fidelity from one of the best artists working with Cinema 4D and emerging 3D tools.

In this fantastic NAB presentation, freelance 3D artist Aaron Covrett guides you through his personal projects and experimental workflows.

Earlier this year we talked to Aaron Covrett about his remarkable work creating his Harvest still life that was inspired by Renaissance paintings. He share with us his passion in learning about new emerging technologies, experimenting with better workflows and pipelines, and his real passion for 3D.

Close up of Harvest details via Aaron Covrett.

Now at NAB, Covrett breaks down some of his personal work. He specializes in texturing, which you can really gain a sense of as he walks you through prop development and asset optimization in Cinema 4D. Read More


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Interview: Ash Thorp on Designing a Pro Driver’s Ford Rally Car in C4D

June 19, 2019 - By 

Go under the hood in this breakdown on using Cinema 4D to design a Cossie V2 rally car for driver Ken Block.

Designer/Director Ash Thorp is well known for the visual effects and prop designs he creates for feature films, like Ghost in the Shell and Assassin’s Creed. But he’s also really into designing CGI cars, like the ’64 Ford Fairlane Z and the Hellion, which are artfully featured along with several others in the Auto section of his website.

Thorp considers car design a hobby, but he admits that he was hoping that professional rally driver Ken Block might one day see his cars and want to work with him. He didn’t. But as luck would have it, a friend introduced the two of them and Block did ask Thorp to collaborate on the design of his newest rally car, a ‘90s Ford Escort Cosworth known as Cossie V2.

Using Cinema 4D, Octane and Redshift, Thorp spent nearly four months working on and off with Block and others from Block’s racing company, Hoonigan. Read More


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Creating Super Bowl Spots and Netflix Titles With Cinema 4D

June 10, 2019 - By 
Creating Super Bowl Spots and Netflix Titles With Cinema 4D - Featured

Ken Carlson of Big Machine dives into the studio’s biggest projects and how they use Cinema 4D to produce commercials and title sequences.

In this Maxon presentation from NAB 2019, Ken Carlson from Big Machine demonstrates how his team uses Cinema 4D to create live action spots. Big Machines is an Emmy award-winning production studio based out of Los Angeles, Carlson is the Co-Founder and Creative Director.

GIF via NFL Network / Big Machine.

You’ll see how Big Machine created several television spots and titles, including spots for Superbowl LIII and series titles like Netflix’s Prince of Peoria and Atypical. Read More


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Choosing the Best Lighting Plugin for Motion Graphics and 3D Renders

May 30, 2019 - By 
Choosing the Best Lighting Plugin for Motion Graphics and 3D Renders - Featured

Trying to figure out how to get realistic reflections in your 3D renders? Want to add a colorful pop to your mograph? Check out these helpful lighting plugins and tools.

We have always stood by the words, “the best looking 3D always comes down to lighting and texturing.” That has always been part of the Greyscalegorilla mission statement dating back to the original Light Kit Pro plugin.

Lighting with Light Kit Pro 3.

Now with all the lighting options available to you, let’s figure out what tool is best for your own individual workflow. Read More


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Assembling Avengers: Endgame User Interfaces and Holograms with C4D

May 16, 2019 - By 
Assembling Avengers: Endgame User Interfaces and Holograms with C4D - Featured

Territory Studio Creative Director Marti Romances on working with Marvel Studios on Avengers: Endgame graphics and futuristic UI.

Territory Studio has worked with Marvel production designer Charles Wood’s team to realize aspects of many Marvel blockbusters, including Guardians of the Galaxy, Captain America: Winter Soldier, Avengers: Age of Ultron and Infinity War. Now with Avengers: Endgame Territory’s San Francisco team once again helped bring directors Anthony and Joe Russo’s vision to life.

Here Territory Creative Director Marti Romances describes the studio’s latest foray into the Marvel Universe, explaining the team’s use of Cinema 4D and other software, as well as what it was like to be embedded with the Marvel team in Atlanta, Georgia. Read More


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SALE: 30% Off New 3D Dust Particulate and 4K Dust Elements

May 7, 2019 - By 

Introducing two new assets packs for all your dusty renders and composites. Get them for 30% off until May 10th!

An exciting new type of product just landed in the Greyscalegorilla store. The new 3D Dust Particulate and 4K Dust Elements packs bring a powerful 1-2 punch to your next project. Better yet, you can combine the two packs and save with the Dust Elements BundleRead More


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Painting Over Cinema 4D Renders to Animate a Spotify Music Video

April 16, 2019 - By 
Painting Over Cinema 4D Renders to Animate a Spotify Music Video - Featured

A behind-the-scenes look at the surreal and powerful Spotify music video for Mitski’s “A Pearl.”

In the new music video for Mitski’s, “A Pearl,” from Be the Cowboy, a barefoot woman walks determinedly for a while before breaking into a run that turns into a freefall as the lyrics lay bare her soul. Eventually, the Mitski-like woman lands on her feet and begins walking again and it’s hard to know whether to breathe a sigh of relief, or cry.

Artful and heart-wrenching, the Spotify-commissioned video is a collaborative creation by Brooklyn-based studio Art Camp and New York City-based designers/animators Saad Moosajee and Danaé Gosset. Read More


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BREAKING NEWS: Maxon Acquires Redshift Rendering Technologies

April 8, 2019 - By 

MAXON takes a bold step in its acquisition of Redshift, one of the most popular third-party render engines for 3D artists and motion designers.

Today at NAB 2019, Maxon CEO David McGavran announced the acquisition of Redshift Rendering Technologies. At the Maxon booth, McGavran and Redshift co-founder Nicolas Burtnyk shared the stage during the live announcement on c4dlive.com.

In a press release, McGavran shared,

“Rendering can be the most time-consuming and demanding aspect of 3D content creation. Redshift’s speed and efficiency combined with Cinema 4D’s responsive workflow make it a perfect match for our portfolio.”

Redshift co-founder Nicolas Burtnyk went on to say,

“We’ve always admired Maxon and the Cinema 4D community, and are thrilled to be a part of it… We are looking forward to working closely with Maxon, collaborating on seamless integration of Redshift into Cinema 4D and continuing to push the boundaries of what’s possible with production-ready GPU rendering.”

Redshift already supports Cinema 4D, as well as other 3D apps Maya, 3DS Max, Houdini, and Katana. Read More


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MoGraph News: Updates to After Effects, Redshift, Octane, Arnold, and More

April 3, 2019 - By 
MoGraph News: Updates to After Effects, Redshift, Octane, Arnold, and More - Featured

Get the latest on the new version of After Effects, learn about GPU render updates from GTC, and find about about the new features in X-Particles.

Image via Adobe.

Tons of news and updates as we head into NAB 2019. Are you headed to the 2019 NAB Show? Be sure to join us at the many events like the MoGraph Meetup and Maxon Booth presentations. Swing by for some GSG Swag.

Let’s dive into what’s new.

New in Adobe CC and After Effects

Adobe seems to be on a tear lately. After their acquisition of Allegorithic, makers of Substance, the company has now made big updates to the Creative Cloud. Adobe has just added support for Substance materials in Adobe Dimension.

Image via Adobe. (Featuring The Happy Toolbox 3D Models)

Tons of new features were just released in the latest version of After Effects. You’ve likely seen headlines for Content-Aware fill for video, which many thought was just an April Fool’s Day prank. Jokes on them, the feature is available now. Read More