Posted In:Products | Greyscalegorilla
Here is your Fall 2019 Greyscalegorilla Plus update, featuring all the new training and downloads that members can access now and in the coming months.
When Greyscalegorilla Plus was first conceived, the goal was to bring you all of Greyscalegorilla’s industry-leading professional training series in one place at one low price. Starting with the Guides to Cinema 4D, Redshift, X-Particles, and other pro training series, Greyscalegorilla Plus quickly became a platform where we could give members so much more.
Today, not only can you stream the training guides and exclusive new training series, members also get access to our popular drag-and-drop material collections. All of our material collections will be in Greyscalegorilla Plus before the end of the year, and even more assets and downloads are on the way.
Greyscalegorilla Plus is growing at a rapid pace, and things are not slowing down anytime soon. The team just introduced new Head of Plus, Todd Blankenship, who will oversee the release of new training series, downloads, and more.
He has already put together a new quick overview of Greyscalegorilla Plus so he can introduce himself and show you what’s already inside.
Join before October 31st, and you will get over $1500 in pro training and product downloads for only $348. That’s just $29 a month. The price goes up on November 1st, so don’t miss out. Head over to the Greyscalegorilla Plus page to join, and use discount code NEW2PLUS at checkout to save $120.
How production studio Lord Danger helped The Lonely Island realize their crazy Netflix visual poem tribute to ‘80s baseball.
Comedy Trio, The Lonely Island—Akiva Schaffer, Andy Samberg and Jorma Taccone—met in junior high and have been collaborating on creative projects for years. After a longtime stint with Saturday Night Live, the troupe has lately become known for producing their own viral videos and studio albums.
Among their recent releases is a Netflix comedy special called The Unauthorized Bash Brothers Experience. Billed as a “visual poem,” the half-hour mockumentary features Samberg and Schaffer as 1980’s baseball legends Jose Canseco and Mark McGwire (a.k.a. the Bash Brothers). The storyline imagines what their rap album and accompanying videos might have been like if they had really captured their experiences chasing the ladies, taking steroids, working out, being rich, and occasionally pondering questions of love and the meaning of life and fame.
Mike Diva (Dahlquist), of the LA-based production company, Lord Danger, teamed up with Lonely Island’s Akiva Schaffer to co-direct the special. Diva also assembled and led Lord Danger’s team of global freelancers who worked on the show from concepting to completion over four months using a combination of Cinema 4D, After Effects, Blender, and Nuke. Read More
Trying to figure out how to get realistic reflections in your 3D renders? Want to add a colorful pop to your mograph? Check out these helpful lighting plugins and tools.
We have always stood by the words, “the best looking 3D always comes down to lighting and texturing.” That has always been part of the Greyscalegorilla mission statement dating back to the original Light Kit Pro plugin.
Now with all the lighting options available to you, let’s figure out what tool is best for your own individual workflow. Read More
Introducing two new assets packs for all your dusty renders and composites.
An exciting new type of product just landed in the Greyscalegorilla store. The new 3D Dust Particulate and 4K Dust Elements packs bring a powerful 1-2 punch to your next project. Better yet, you can combine the two packs and save with the Dust Elements Bundle. Read More
The new X-Particles gives you control of shattering, squishing, and exploding down to the particle level. Learn more about this big update.
INSYDIUM has released details on stellar new X-Particles features like xpShatter, xpDynamics, and xpQuickTools. These new features are available now with the Early Access Programme.
What’s New in X-Particles
The first big update is xpShatter, a particle based shattering system. The new object-breaking engine was designed to work seamlessly with the new xpDynamics.
Here’s a great overview from Bob Walmsley.
With the new Modern Industrial HDRI Pack, you can now get nearly 500 HDRI from Greyscalegorilla.
Looking for more organic looks to bring your renders to life? Introducing HDRI Modern Industrial, 20 OpenEXR high-dynamic-range images for Cinema 4D.
These twenty industrial workspaces and modern exteriors will help you achieve a professional commercial look. Environments include modern office spaces, stairwells, lobbies, and atriums.
Originally released as a limited time exclusive for select HDRI Link Suite owners, Modern Industrial is now publicly available for the first time.
Want all 450+ HDRI? Save big and grab the Greyscalegorilla HDRI Suite. Get all of our HDRI plugins and packs. That includes our top-selling plugins and industry-staples like Pro Studios Metal and the ultra-HDRI Ultimate Skies.
Hundreds of options, countless possibilities. Find your look with HDRI from Greyscalegorilla.
SAVE OVER $450
Do you hop between using Physical and third-party renderers? Make things easier with the Greyscalegorilla HDRI Suite. Get HDRI Link, HDRI Studio Rig, Modern Industrial plus all of our other HDRI packs.
We talk to motion designer James Owen about his experimental series of looping animations. See how he uses C4D, Redshift, and the new Everyday Material Collection.
All images via James Owen.
The benefit of scrolling through the Instagram accounts of the many talented C4D motion designers is the treasure trove of stunning imagery.
One of the most recent eye-catching designs that caught my attention where the series of flourishes created by James Owen.
It’s a really beautiful series of shorts, and to find out more I reached out to creator James Owen. Here’s what I learned about his Flourishing series. Read More
Take a look at how these beer cans were designed for production, and later ended up featured in TIME Magazine for their eye-catching design.
We talk to designer Eileen Tjan of OTHER studio and Chad Ashley about the creation of the Peekskill Brewery beer cans recently featured in a special edition of TIME Magazine.
Learn about the process in designing product labels and imagery, then take a glimpse into the making of 3D product renders.
We chat with Trevor Kerr from MANVSMACHINE about 3D workflows, third-party rendering, and the new Greyscalegorilla Guide to Redshift.
Trevor Kerr, the Technical Director at MANVSMACHINE, chats with Chad Ashley about all things rendering. They talk about the strengths and weaknesses of Arnold, Octane, and Redshift, and also dive into the many topics covered in the new Greyscalegorilla Guide to Redshift.
In this informal discussion Trevor Kerr and Chad Ashley discuss the meteoric rise of Redshift in production as well as an in-depth Redshift training product the two recently teamed up on.
See why 3D World Magazine calls Light Kit Pro 3 an “essential” plugin for Cinema 4D, and gives the new tool a Best in Class 5-star review.
The latest edition of 3D World Magazine is on newsstands now. (You can purchase a physical or digital copy here.)
Featured among the greatest new things and trends in 3D are both a Light Kit Pro 3 review and tutorial.
Freelance journalist and CG artist Steve Jarratt tested the new Light Kit Pro 3, and came back with a stellar review and the magazine’s highest honors, a Best in Class 5/5 review.
“With a huge library of preset studios on offer, some really clever functionality and general ease of use, Light Kit Pro 3.0 comes highly recommended — hell, if your work is primarily product shots, it’s pretty much essential.” Read More
When should you start thinking about color in your 3D and motion design projects? It’s time to think like a Director of Photography.
While listening to an Entagma discussion, where Manuel Casasola Merkle and Moritz Schwing rant about render engines, the duo spends a little bit of time talking about LUTs in the post-process.
This led me down a tangent of questions, which ultimately led me to wonder if 3D artists should operate more like cinematographers. A Director of Photography (DP) will often devise a color scheme before production even begins. They’ll talk with the director about the emotional connection they want the piece to convey, and then the DP, either on their own or with a DIT or colorist, will create a look. Read More